IN MOTION
THE BEST TAKE IS ALMOST ALWAYS THE ONE NOBODY PLANNED FOR
SHOT LIST
WE KEPT THE CAMERA ROLLING LONG AFTER EVERYONE CALLED CUT
ROUGH CUT
EVERY EDIT IS A QUIET ARGUMENT ABOUT WHAT ACTUALLY MATTERS
ON LOCATION
THE LIGHT NEVER WAITS FOR ANY OF US TO FEEL READY FOR IT
LATE PASS
SOME SCENES ONLY MAKE SENSE ON THE SECOND OR THIRD WATCH
IN MOTION
THE BEST TAKE IS ALMOST ALWAYS THE ONE NOBODY PLANNED FOR
SHOT LIST
WE KEPT THE CAMERA ROLLING LONG AFTER EVERYONE CALLED CUT
ROUGH CUT
EVERY EDIT IS A QUIET ARGUMENT ABOUT WHAT ACTUALLY MATTERS
ON LOCATION
THE LIGHT NEVER WAITS FOR ANY OF US TO FEEL READY FOR IT
LATE PASS
SOME SCENES ONLY MAKE SENSE ON THE SECOND OR THIRD WATCH